On the Creation of Visual Sufi Poetry

::: I immensely enjoy developing my paintings because the creative process has lessons, each time, a new one. It’s impossible to force realities that occur beyond our selves and which take shape through us; we can only respect their language-flow and this practice eventually helps us endure circumstances in life we have no control over and such is the spirit of Surrender-Islam.

Because my visual art developed from the poems I compose, I’m not inclined to paint realities the naked eye sees because they are obvious to us. I aspire to put upon canvas that which is subtle and that purely mingles with the soul and that walks it to its bliss.

As my Arts are islamically spiritual and spiritually islamic therefore universal, I see no division between these creative activities and the practical rituals which come with being a Muslimah. When I soak my brushes in water, it takes me back to ablutions yet this time instead of preparing my self to step upon the prayermat, it’s my paint brushes that will “step” upon canvas, they become instruments I do not view outside of my body… At that moment, everything that lingered with the words of a composed poem unravels upon canvas, each brushwork brings me the utmost solace and invites me to reflection as well. The alternate smoothness and wildness inherent to the act of painting is a mirror of the Returning process I am subjected to. :::


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